Saturday, June 4, 2016

The Elms, You Never Forget Your First

This quaint New England inn was my first stop before I went to work for Martha...

 My first job after externship was at The Elms Restaurant and Tavern. I'd toiled away my summer in the basement of Mario Batali's Po Restaurant with his Mexicans and when my time was done he said to me, (because I needed to work in Connecticut)  "you have to work for Brendan Walsh." Chef Walsh was a superstar before they called them "celebrity chefs". In his early twenties he was rocking NYC at Arizona 206 and Gotham Bar and Grill. When our paths crossed he had recently taken over the restaurant component at the stodgy old Elms Inn. He put that place on the map, so much that even Chef Mario had heard about it. He called Chef Walsh on my behalf to get me an interview with him.

After leaving Po and saying my goodbyes, it was time to start my new career back in Connecticut and to be a working single mom near my kids and to find our new normal.
I remember that I could not find the pair of khaki shorts that I wanted to wear on that warm August day, so I had to grab another pair that was just a tad shorter than I would have liked to wear on an interview. I wore a button down short sleeved shirt and fisherman's sandals to go with it. I raced up to Ridgefield to meet with the chef.
The Elms was an old New England Inn, with an adjoining restaurant. Chef Walsh had divided it into two separate parts, the Tavern which was cozy and casual with a large stone fireplace serving rustic food, and the Main Dining Room which had a more elegant and pricey menu. Chef Walsh lived right behind the place with his wife and four kids. She was his high school sweetheart and all of the PR for the restaurant focused on how they had met long ago in Ridgefield and now were back with so much talent to shake up the stodgy old inn. She was pregnant with their fifth baby when I met them.

I will always be grateful that Chef Mario called Chef Walsh on my behalf. Especially since I was starting out my career at 36 years old, I had no time to waste. I decided that I would only work for the best. Mario Batali was my first move, going to the Elms was my next one and Chef Mario facilitated that for me.
I must mention the fact that Brendan had no idea who Mario was when he called him. This was a little before Mario became a household word, and Brendan did not watch the Food Network so he had not heard of "Molto Mario". It was interesting to hear on both ends about that conversation between male chef egos, but again...I'm grateful.
So I got to the Elms and went up a wooden staircase in the back of the restaurant. After spending the last three months in a basement in Greenwich Village, in a tiny kitchen and a stairway in between where one couldn't stand fully without whacking their head and a windowless basement/prep area/locker room/storage area, this was quite a difference.
There was a smoker with a side of salmon inside it on the landing of the stairway. The aroma was enticing. I opened the screen door to a large spread out kitchen. It had windows!
It was kind of old-fashioned in some ways and needed a little updating but it was pleasant and and had lots of light. There was a full dishwashing area on one side, a hot line that included a wood-fired grill. This was where the main pass and expediting area was. To the right of that was the pastry/pantry area. There was a good size work table in the center,surrounding that was a couple of reach-in refrigerators, a 20 qt. Hobart mixer and the line for the garde manger. When I first got there there, the unit was so old that instead of lowboy refrigerator units, it was stainless steel shelving with a trough above. This trough had to be filled with ice before every service to keep the mise en place properly chilled. A step up from the whole kitchen area was a tiny makeshift office and double doors that led to the Tavern.
When I  arrived I was told by a server that Chef had to leave because a cook had sliced his finger pretty badly and he had to take him to the emergency room. Hopefully he'd be back soon.
So I waited, kind of awkwardly for a good half hour or so, till Chef came in wearing a white t-shirt and checkered pants with a guarded smile on his face and greeted me with a handshake.
Right away he told me that he had no idea who this "Mario-guy" was and that that Mario seemed kind of annoyed and shocked with him when he drew a blank. But because he had spoken so highly of me, he did want to meet me.
Chef Walsh was one of those chefs who was a snob about The Culinary Institute of America. It was where he had trained and most of his cooks had trained. I was from Peter Kump's New York Cooking School. It was a boutique little school in a brownstone on the Upper East Side. If the CIA was Harvard, Peter Kump's was Sarah Lawrence.
Even though I was not from the CIA, Chef Walsh liked me. I think what got him was that I said that I was a single mom and because I wasn't a kid I was focused on working and learning. I would hit the ground running, didn't smoke or need breaks. I wanted to work for the best and that he wouldn't be sorry. He offered me $11 an hour, made a shift from 9am-2pm Mondays through Fridays. It was perfect.
The only cloud was that he said in a very straightforward manner that his sous chef, Ryan was very tough, particularly on women. The last female pantry cook couldn't take it any more and had quit. Pretty much every female in the kitchen had quit and he'd made a few of them cry. Thing was, he needed Ryan. "He's my boy", he said. "If I don't have him here, I can never take a day off and see my family, so he's not going anywhere".
I'd worked as the only woman in a basement with the Mexicans all summer and had charmed the hell out of them. Prior to that, I'd had a very tough marriage that had recently ended and I'd survived. Nothing was going to stop me now. Some 24 year old guy who might yell at me was nothing. I could deal. We shook hands and I was to do a trail the next week, more to observe than anything else.
When Chef gave me the tour, he walked me through the kitchen where I met some of the guys. It was a Sunday and they were actually closed for that week so it was pretty relaxed. I later heard when I got to know them all, that after walking through with my tanned legs and my slightly too short shorts, once I'd left they all told Chef that he should hire me.

I went in on a Saturday night. I was in uniform but basically was there to observe. There were three guys working the hot line which included saute, fry and grill. There was a guy working in the pantry area. He made salads and plated desserts. JB was the pastry chef, his shift started in the wee hours of the morning till about noon. There was "the Dude" who worked the afternoon/evening shift who was just supposed to plate them. The cuisine was traditional New England with some modern updates. The desserts were outstanding and they were very involved as far as how they were served and what they were garnished with. The Dude smoked a lot of weed and talked kind of slowly. In fact he moved pretty slowly all of the time. JB was from Brooklyn, moved super quickly and sounded kind of like Bugs Bunny when he talked. Before he would leave for the day, he would show the Dude the dessert specials. For example, the Indian pudding was in a ramekin that had to be flashed in the convection oven then topped with a scoop of corn ice cream and topped with  candied corn kernels and a sprig of mint. JB would talk at the Dude, peppered with "are you listening???" and the Dude would say, "yeah man, I heard you, caramel ice cream...".
"No! Corn ice cream. Take notes, you dumbass! Write this down!"
And so forth...
On this night I witnessed something that I never forgot and for years I have described to students. It was the true definition of being able to call yourself a chef. The restaurant got very busy. The waitstaff was flying through, wearing their black and whites carrying their large trays and setting them on the stand. Chef was expediting the food as it came through the pass from the hot line. One after the other, coordinating, checking the temps on the meat, "this is medium, it's supposed to be rare! Take this off!" Every order had to be just right before it went out. When it seemed that the line cooks were just not keeping up, Chef called the GM to come over to expedite as he stepped in. He bounced from grill to saute and got those orders out. After a few minutes, there was a call for a couple of salads. The Dude had disappeared (most likely to the walk-in downstairs which was a popular place to light up a bowl). So chef stepped in to make salads. They were all perfect. The greens were mounded high with the colorful components and just the right amount of dressing. When dessert tickets came up, Chef plated them. Of course, he had the Indian pudding with the corn ice cream and the candied corn kernels, and the mint sprig. He didn't miss a step.

The lesson is that the Chef must be able to step into every position if needed. He (or she) has to know how to work all stations and to do it better than the person hired to do that job. You are a hired hand and therefore dispensable. Whether it is dishwashing or arranging a salad on a plate, Chef can do it easily. It was like watching a jazz combo and the chef is the guy who can sit in on each instrument and blow everyone away.

My days at the Elms began like this- I would take my kids to the bus stop. Once they climbed aboard, I would race in my little Saturn through the back roads from Stamford to Ridgefield. Once I parked in the large rear parking lot I would run up those wooden steps to the kitchen. I was usually in uniform already, so I'd punch in and start setting up my station. I shared the area with JB, who would be doing the last few items for the dessert menu. I liked that time of day because it was basically him, myself and Chef Walsh for a while until the other cooks and Ryan the screaming-sous chef would come in. JB and Chef Walsh had actually been roommates at the CIA so they had a good twenty years of history. Their relationship was kind of a hate/love competitive one.
The first thing that I had to do to set up the station was get ice. Being that the inn was probably over a hundred years old, the layout was not easy to work with. There was a skinny spiral stairway right next to the fryolator. This led to the basement storage area. Part of it's New England charm was that the ceilings were pretty low. I am only 5'4'' and even I had to crouch a little. For the taller guys this was very challenging. However, I had gotten used to this from the hundred year old basement in Greenwich Village. There were rows of shelving with all of the dry goods. If you kept going there were was a chest freezer, a double reach-in freezer and and ice machine. Just past that you stepped outside and into the walk-in. It was a pretty long haul.
So every day I had to fill up two huge buckets of ice and carry them through that maze and up the spiral stairway. Next to the fryolator, remember? This of course meant that the steps were always greasy and slippery. I had visions of myself as the broom in the Mickey Mouse movie, "The Sorcerer's Apprentice" as I carried my sloshing, heavy buckets of ice through the treacherous course. Once I made it upstairs I dumped the ice into the trough at my station.
After about a month or two of my Sorcerer's Apprentice routine, Chef bought a lowboy unit. It had two sets of double doors and the place on top where all of the mise en place was to go. These guys were so excited when this thing arrived. I don't think that Chef had bought a new piece of equipment for some time. They reminded me of another movie, this time is was "2001, A Space Odyssey" and they were the monkeys screaming and beating on the television monitor. They pulled the plastic wrap off of it and turned it around. They turned the switch on and beat on their chests when the condenser started up. I shook my head and thought to myself, silly men... The good news was no more schlepping the ice anymore. That was fine by me.

The sous chef Ryan was just as rough as Chef had warned me about. He berated everyone there and not just me. He yelled at every little mistake and if you dropped something on the floor, God forbid, he would shout, "THERE'S YOUR RAISE!" My worst tangle with him was when I had to poach some fish for my station and the water temp was too high and it was boiling. His tirade at me summed up with him demanding that I write a paper on the theory of poaching and to hand it in to him the next day.
I steamed in my car on the way home. Fuck you! I thought to myself. Fuck you! When I got home I searched through textbooks to find the theory of poaching. I was determined to find one thing that would prove him not to be 100% correct. "THE LIQUID HAS TO SIMMER, NOT BOIL!" He had said. The best that I could do was to find a source that said that the water should be brought to a boil first, because once the fish went in the temp would be reduced to a simmer. Humph! Take that!
The next day he had pretty much forgotten about our scene and I brought it up to tell him, just so I could mention that part about the boiling liquid. It was a cheap victory but I needed it for my own psyche.
When Thanksgiving came along, it would be the first one that I would ever spend working. Typical of the business, but a new blessing in disguise for me. I am not a big fan of holidays, only made harder when your young children are not with you, which mine were not that year. What better way to spend it than working your ass off and making a little extra dough?
There were three seatings and we were booked solid. It was a prixe fixe menu with limited items. We had everyone on duty including the Dude and me sharing the station. He and I did the salads, plate after plate and assembling the desserts. I loved the feeling of being part of the band. That was what it was like and as a team we all made beautiful music. We jammed all day long and into the night. After the last customer left, the staff sat together and shared a wonderful family meal with good wine in the Tavern. The Walsh's cared about us and it showed.
A few months before, Martha Stewart came to do a shoot for Living Magazine at the Elms. Though it was September and still warm out, everyone was dressed in their sweaters and woolen scarves to simulate a New England traditional Thanksgiving at The Elms. We were closed for business that day as we only prepped on Mondays. There was photo equipment all over and bright lights in the dining room. There were charming carved pumpkins and candles lit, wreaths hanging on the doors. I quietly let it slip that I had actually known Martha. She had catered my wedding for my now defunct marriage. The guys were impressed. I felt shy about it though. I never did get to see her that day but little did I know that our paths would cross again soon.

Toward the end of my time there, we had an intern from the CIA. His name was, and I am not making this up- Charlie Brown. Charlie Brown annoyed me for numerous reasons. One was that he worked my station in the evening. This meant that after spending my whole morning prepping- washing all the greens in freezing cold water and spinning them dry, making all the salad dressings by hand, dicing and slicing all of the various garnishes, when I came in the next day it was gone. Maybe a spoonful of my carefully confetti'd red, yellow and orange bell peppers in the #9 pan. Half full (or empty) greasy squeeze bottles of vinaigrettes. The extra greens would be gone. I was robbed!
This is an age-old battle between night and day shifts. All of these years later I cannot say how many times I have heard bitching from the night guys about the day guys and vice versa. I have walked in their shoes though and it sucked. Not only was he messy and lazy, but Charlie Brown was a dick too. He wormed his way into being buddy-buddy with the guys in a way that I never would be able to. Working a lunch shift is just not the same as working a dinner shift. The dinner shift is the show, it's where the action is. The food is more complex, the pressure is more intense. The end of the night usually culminates with a beer or two and camaraderie that does not happen after lunch. So Charlie Brown got his ass in tight with them and the one that bugged me the most was his brown-nosing of Chef Walsh. Instead of doing his prep work he was always sucking up to him. He would offer to do other projects like transfer recipes on to the computer. It was 1997 and dinosaurs like Chef Walsh and myself were not so handy with technology yet. Charlie Brown was only twenty or so, it was second nature to him. I volunteered to standardize recipes. I worked at writing everything down so that there would always be continuity of flavors. The more Charlie Brown insinuated himself into Chef's good graces, the more I tried too.
It occurred to me though that I just wasn't going to win this one. I was a female and I would only be able to get so close before it would seem inappropriate. While Charlie Brown was just a dumb, spoiled extern from the CIA- he was a guy and he could get all up in Chef's inner circle and ultimately surpass me no matter how hard I worked. I had to let it go. I heard that eventually Charlie Brown did make it to sous chef number two.
One snowy day I came into work and Chef was in my pantry area, making a cake. This was weird, so I asked him where JB was. Chef made up a story about JB having to go take care of some problem with his son. It was not long before it got out that JB was gone and it nothing to do with his kid. His giant box of tools and his beloved ice cream machine had left with him. As I had mentioned before, these two had a very complicated relationship. Both immensely talented but Chef Walsh had been the more famous of the two. JB had always resented him. Chef Walsh had a happy marriage with his high school sweetheart, while JB had stumbled through a couple of marriages already. The Elms was very successful and had a lot of coverage in the press. JB had previously had a bakery in Brooklyn but his partner who was also his cousin had stolen from him. Now here he was working for Chef Walsh and the resentment was palpable at times. He once said that Chef had "the palate of a dog". Well it must be a pretty sophisticated dog because Chef's food was great.
I will always wonder what the truth was behind their final split that winter. JB never came back to the Elms. When Chef stepped in as pastry chef, it was great working side by side with him and getting to know him better. Though I could never get quite in like Charlie-fucking-Brown, we shared stories about our youthful adventures. I'll always have a soft spot and great respect for him.
A few weeks later, JB surfaced. He called me on the phone. He was working for Martha Stewart at her brand new television studio in Westport. He was the Commissary Chef there and they were looking for more good people. He wanted me to come work with him over there.
It would be more money and more room to grow. With my limited schedule I would not be able to go much further than pantry cook at the Elms. Ryan was one thing but I'd die before I had to say, "Yes, Chef" to Charlie Brown.
I agonized over the decision. I loved the Elms and I loved Chef Walsh. But it was time to move on. JB was also a talent that I could learn from. I went to visit the incredibly impressive studio, interviewed with the head of facilities and did a trail in the test kitchen. It was intimidating but attractive at the same time. When I was formally offered the job I said yes. I agonized for days about giving my notice. JB would call me every day to see if I had quit yet. He started nagging me and finally I did it.
Chef Walsh was a gentleman to the end. He offered to help me if I ever needed it and wished me luck. Once again, I had made my way through an all male kitchen and gotten the respect of every one of them. Even Ryan bent over, wrapped his long arms around me and gave me a big hug, and he had never made me cry.

The next week was the beginning of a whole other world. Working with women, working with tv production and working with Martha.